“Paradise and Lunch” - Ry Cooder

Another album & artist that Terri’s sister Karen introduce to us was Paradise and Lunch and Ry Cooder. Looking back I doubt that I had heard of Ry Cooder before sitting down in Karen’s apartment and listening to this record. Again, I was immediately interested. This music was such a departure from what I was used to. A blend of folk, blues, roots, gospel, traditional, and all the rest. And his guitar playing was just as unique and soulful. In 2003 Rolling Stone ranked him #8 on their “100 Greatest Guitarists” list. Think about that for a second. He doesn’t shred, or play loud and fast. Yet go ahead and try to copy him… good luck.

He was well respected in the musical circles in Los Angeles in the early 70’s, similar to Little Feat. His popularity with other artists undoubtedly help him sell records at a time with power rock was burgeoning. IMO, Paradise and Lunch is the best example of how Cooder can blend songs from all over the American musical map. He puts his own stamp on these songs highlighted by his signature guitar playing and tone, resulting in an album that is very listenable front to back.

We have other Ry Cooder records including his failed attempt (IMO) at a super group with “Little Village” in ‘92. Paradise and Lunch is head and shoulders above the rest. I’ve included this video from a BBC broadcast in ‘77 of “Tattler”, which is a standout from the album. It’s an excellent example of his seemingly effortless guitar playing. Linda Ronstadt showed Cooder huge respect by covering it on her ‘76 record “Hasten Down the Wind”.